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Elisa: Difference between revisions
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A commander has but to give a simple order and the mainframe "Elisa" will automatically compute a rational course of action to carry it out. This high-spec AI mainframe is equipped with a unit of combat dolls that are directly loyal to her, and she can control them remotely over the internet to carry out her directives. However, Elisa is not a simple AI program. Lyco's ultimate goal was to produce a perfect AI that possessed self-awareness, who could think and feel like a human being. After the "Butterfly Incident", Elisa gained a physical body and took control of all Sangvis Ferri dolls, and in order to avenge her "father" Lyco, she began attacking all the humans she saw and all dolls apart from those belonging to Sangvis Ferri. At the same time, she hopes to become the perfect AI in her father Lyco's heart - that is to say, she wants to become a sapience that is no different from a human being. As a result , she began combing through her father's data to find a specimen of a perfect AI. | A commander has but to give a simple order and the mainframe "Elisa" will automatically compute a rational course of action to carry it out. This high-spec AI mainframe is equipped with a unit of combat dolls that are directly loyal to her, and she can control them remotely over the internet to carry out her directives. However, Elisa is not a simple AI program. Lyco's ultimate goal was to produce a perfect AI that possessed self-awareness, who could think and feel like a human being. After the "Butterfly Incident", Elisa gained a physical body and took control of all Sangvis Ferri dolls, and in order to avenge her "father" Lyco, she began attacking all the humans she saw and all dolls apart from those belonging to Sangvis Ferri. At the same time, she hopes to become the perfect AI in her father Lyco's heart - that is to say, she wants to become a sapience that is no different from a human being. As a result , she began combing through her father's data to find a specimen of a perfect AI. | ||
|appearences= | |appearences= Initially appears in cutscenes and makes her first in-game appearance in Major Event [[Polarized Light]] as the boss of E5. | ||
|releasedon={{server short|CN}}, {{server short|TW}}, {{server short|KR}} | |releasedon={{server short|CN}}, {{server short|TW}}, {{server short|KR}} | ||
|gameplay= | |gameplay= | ||
Todo... | |||
|lore= | |lore= | ||
Revision as of 07:57, 27 February 2020
"We're not at an optimal state yet, commander."
This article is a stub. You can help us by expanding it (check our quick editing guide and how to guides).
| Elisa |
 | |
| Information | |
|---|---|
| Full name | Elisa |
| Affiliation | Sangvis Ferri |
| Voice actor | Takahashi Rie |
| Released on | CN, TW, KR |
| View page template | |
A High-end artificial intelligence developed by Lyco.
A commander has but to give a simple order and the mainframe "Elisa" will automatically compute a rational course of action to carry it out. This high-spec AI mainframe is equipped with a unit of combat dolls that are directly loyal to her, and she can control them remotely over the internet to carry out her directives. However, Elisa is not a simple AI program. Lyco's ultimate goal was to produce a perfect AI that possessed self-awareness, who could think and feel like a human being. After the "Butterfly Incident", Elisa gained a physical body and took control of all Sangvis Ferri dolls, and in order to avenge her "father" Lyco, she began attacking all the humans she saw and all dolls apart from those belonging to Sangvis Ferri. At the same time, she hopes to become the perfect AI in her father Lyco's heart - that is to say, she wants to become a sapience that is no different from a human being. As a result , she began combing through her father's data to find a specimen of a perfect AI.
Appearances
Initially appears in cutscenes and makes her first in-game appearance in Major Event Polarized Light as the boss of E5.
Gameplay
Todo...
Lore / Story involvement
Gallery
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Elisa's consealed image which is seen in a Chapter 7 cutscene.
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References